There is an excellent performance of this Work by the John Alldis Choir, under Vittorio Negri, on YouTube starting here. The Martens Files are further amended by the addition of added bars as shown in the Martens score plus consequential changes. These Midi Files were originally keyed in using the Everett-Oxford edition, and can be used both with that score and with the Malipiero-Ricordi score the Casella-Ricordi Files are amended versions of them, using essentially the same piano reduction but with the vocal parts appropriately modified. If I interpret his Preface aright, this is the Casella version with a dozen or so originally-excised bars put back in again. There is also a more recent Waltons Music version edited by Mason Martens. The Casella version is somewhat different, having fewer bars (measures) in several of the pieces, as well as a number of significant vocal and accompaniment note changes (though for the most part its accompaniment is much like the Malipiero one). The Malipiero and Everett versions are quite similar - they differ mainly in the piano reduction accompaniment. Three common ones are the Casella-edited Ricordi score, the Malipiero-edited Ricordi score, and the Everett-edited Oxford score. There are numerous versions of printed scores for Vivaldi's Gloria. Anh.Gloria Files "cleaned" Aug/11 and re-cleaned Jan/14 Antonio Vivaldi Gloria - RV 589 Domine Deus, Agnus Dei (alto and chorus)ΔΆ sopranos, alto mixed chorus (SATB), orchestra.Gloria di Vivaldi Gloria (Vivaldi) Gloria in D Major, RV 589 IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Please obey the copyright laws of your country. You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Gloria Religious works Masses For 3 voices, mixed chorus, orchestra For voices and chorus with orchestra Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring mixed chorus Scores featuring the orchestra Latin language for contralto, realized figured bass and continuo (arr) For organ (arr) For 1 player (arr) Scores featuring the organ (arr) For 4 recorders (arr) Scores featuring the recorder (arr) For 4 players (arr) For voice, flute, oboe, clarinet, bassoon, horn (arr) Scores featuring the voice (arr) Scores featuring the soprano voice (arr) Scores featuring the flute (arr) Scores featuring the oboe (arr) Scores featuring the clarinet (arr) Scores featuring the bassoon (arr) Scores featuring the horn (arr) For voices with solo instruments (arr) For voice, organ (arr) For voices with keyboard (arr) For guitar (arr) Scores featuring the guitar (arr) For wind band (arr) For orchestra without strings (arr) Scores featuring wind band (arr)
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